Following an absence of three years, an on-leave Marine returns home to make amends with his ex-girlfriend on her wedding day.

Hatori Matsuzaki is a female high school student. She has a crush on her childhood friend Rita Terasaka and believes he will eventually choose her as her heroine, but Rita Terasaka begins dating Miho Adachi. Meanwhile, the most popular male student, Kosuke Hiromitsu takes an interest in Hatori Matsuzaki.

An Argentinian girl returns to her natal town on Basque Country to discover who killed her father.

It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads her to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put her on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.

Dis-Ease is about how we imagine disease and how that affects what we do when we encounter illness, outbreaks, doctors, treatments and disability in real life. It dives deep into the weird, wild archives of medical imaging, public health messaging and pop-culture outbreak narratives to understand how ideas have moved between science, science fiction and political ideology over the past century. Ultimately, Dis-Ease is a provocation to re-think how we define both the “public” and “health” in public health — who is included, what counts as care and what it means to be sick or well.

The Kumars at No. 42 is a British comedy show. It won an International Emmy in 2002 and 2003. It ran for seven series totalling 53 episodes.

In this feature film based on the hit animated series, the third graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance and Phillip, and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy spirals into a call to wage war on Canada and Terrance and Phillip end up on death row, with the kids their only hope of rescue.

This somber story of love lost forever is set against the backdrop of the changes that Communism brought to the state of Georgia in the former USSR after the 1917 Revolution. Eva and Archil are deeply in love and they pledge to be with each other always. After they marry, Archil dies suddenly and Eva is left alone and childless. Along comes the ruthless Spiridon who romances Eva and marries her - though his cold and cruel spirit break Eva's naturally buoyant self, until she sullenly eats alone, and avoids intimacy with her husband as much as possible. They adopt a daughter, who does not take sides between her glum mother and silent father. When the Communist cadres enter their village to promote the ideals of the October revolution, Eva starts to warm to her husband a little because he joins in that movement. Then her husband commits the fatal error of revealing a previous crime - an error that will later cause their grown daughter to question her parents' strange behavior.

“We were born in Liverpool but grew up in Hamburg”, John Lennon once said. This feature documentary seeks to find the truth in those words. The long and winding road that the Beatles took to worldwide fame passed through Hamburg, Germany in the early 1960s. Only a couple of years before they became household names, the former Quarrymen were cutting their musical teeth on nightclub stages in the city. Hamburg had become the vice capital of Europe after World War Two, its neon-lit streets home to sailors, sex workers, drug dealers, gangs and low life. Meanwhile, the English band was still developing, still young and virtually unknown. By the time of their last German visit in 1966, the Beatles were an international phenomenon. 'No Hamburg, No Beatles' explains how learning their trade in this fascinating city helped propel them to global stardom.

A handful of young people deal with their personal and emotional tribulations in this teen-centric romantic comedy from Argentina. Laura (Karina Dali) is a woman who has unwittingly stolen the heart of Joaquin (Mariano Martinez), a brash film student, but while he makes plans to woo her, Joaquin has to take care of some other matters first. Joaquin is moving into a new flat, and he and his friends discover just how hard it is to move a piano; meanwhile, he also is drafted into helping his buddy Marcos (Facundo Espinosa) win back his girlfriend, which means lending Marcos his car.